After Victor Román Mendoza’s book of the same name
Staged scenarios
of moonshine,
the head
of a comrade
is tarnished
by the police
chief’s cumshot.
Isn’t that
how it always
happens? The severed
chin lifted
to higher realms
while the body
is roamed by fire
ants in the jungle.
I was certain
anything handsome
would be found
out and hollowed.
I was certain
one was allowed
entry if only
they were emptied
of pleasure.
If they insisted
on cracking our legs
open like a crab
to suck the yield
from our brains
until we were pure
creatures
of the land.
I imagined —
all the pigs
we teased out
of their slaughter
with just this
moment
-ous mouth.
Open up,
the baton building
character
in your back,
the barrel, one
alloyed finger
ruffling your hair
like how someone
once told me
there’s so much
promise in you
and another person
on all fours
cannot begin
to fulfill them.
We were fucking,
there
I said it
finally
firefights
full of
flickering
bulbs
above the face
of landfall cliffs.
Here
I said it.
This is where
we traffick
our children
along the mountains
within the rubric
of running
towards chaste
rivers plunging
into basins below
with their cunning
grin.
I warned you.
Even the smallest boy
digs a grave
for their mother
land’s shores
when they jump
into the water.
Even the smallest
girl has an equal
boy in stature.
Both sitting
on mango trees,
plucking
tears from each
other’s smaller
chests.
I dare you.
Take them
from each other
and they will take up
arms, cutting
with impossible
leaves
the answers
from your throat.
Rigel Portales is a 19-year-old Filipino poet afraid of disappearing. Fortunately, his works have appeared/are soon to appear on Palette Poetry, Frontier Poetry, and Cha with a poetry chapbook, DEAD BOYS MAKE THE BEST MEN, forthcoming from FlowerSong Press in the United States. He’s currently the poetry editor at the Malate Literary Folio. You can find him on his Twitter account @rijwrites where he writes to preserve and preserves to write.